#Comanche moon full
#Comanche moon series

Illumination is calculated at lunar noon. Dates are based on the Gregorian calendar.

Time is adjusted for DST when applicable.

* All times are local time for Sierra El Comanche. (See the note below this table for details)

#Comanche moon full

The Comanche were notorious for their many raids, especially during a full moon, when under the cover of darkness, but still with enough visibility to get around, the mounted warriors would engage in ruthless and quick raids on the surrounding.

Note: hours shift because clocks change backward 1 hour. The Comanche Moon There’s a reason why the full moon is still called Comanche Moon in Texas. Moon does not pass the meridian on this day. Business Date to Date (exclude holidays).It only serves to set us up for “Lonesome Dove” if “Dove” itself were to be screened afterward, and of course it’s nowhere in sight. “Moon” leads to an unsatisfying climax that doesn’t quite connect as drama the way McMurtry and Ossana perhaps intended. The ladies tend to fare better, having the more intriguing characters: Rachel Griffiths as a gloriously over-the-top, ballbusting vixen (and Kilmer’s wife) Elizabeth Banks (“Scrubs”) as Maggie, the young prostitute with a heart of gold and Woodrow’s gal and Clara (Linda Cardellini of “ER”), a smarty-pants, saucy dame who leads Gus around by the nose. Zahn and Urban are bickering and largely unlikable, which takes its toll on the audience as the mini moves along. But at the same time, he’s quite the hoot, playing this more for laughs than credibility. He’s pretty much all over the map in his performance. Kilmer travels far over the top to a place of irredeemable arrogance.

#Comanche moon series

Those departures have the unfortunate effect of detracting from the dramatic impact of the narrative, which in the McMurtry-Ossana teleplay is in truth less a cohesive story than a series of snippets that give us insight into prairie life during a warring time in the Old West. Comanche Moon joins the twenty-year time line between Dead Man's Walk and Lonesome Dove, following beloved heroes Gus and Call and their comrades-in-armsDeets, Jake Spoon, and Pea Eye Parkerin their bitter struggle to protect an advancing Western frontier against the defiant Comanches, courageously determined to defend their territory and. The quest stretches across all three nights of the mini, moving in a linear fashion that nonetheless takes too many side journeys to supply color. “Moon” catches up with our heroes as semi-young Texas Rangers when they join up with Captain Inish Scull (Val Kilmer), a Yankee aristocrat and hero of the recently concluded Mexican War, as they hunt across a pre-Civil War Texas for a Comanche chief (Wes Studi), a horse thief (Adam Beach) and a Mexican outlaw (Sal Lopez). Their chemistry together is scarcely evident. They raise the blond, blue-eyed girl as one of their own. As Gus, Zahn is alternately pining and crazy as a sullen Call, Urban reminds us of an expressionless statue. The picture narrative begins in 1836, when Comanches capture Cynthia Ann Parker in Texas. Movie/TV Title: Comanche Moon Studio: Sony Pictures Product Identifiers. No one expected either of these guys to match the work of their predecessors, but in fact they don’t even come close. Call.įilling those boots this time are Steve Zahn as the hard-drinking and emotional Gus and Karl Urban (who appeared in “The Bourne Supremacy” and a pair of “Lord of the Rings” flicks) as the hard-driving Call. I mean, shoot, it starred Robert Duvall and Tommy Lee Jones as leads Gus McCrae and Woodrow F. “Moon” was never going to be able to be assessed in a vacuum, not when “Dove” had proven such a magical interlude. What results isn’t worth three nights of anyone’s life, even if it carves a collection of memorable moments into the mix.Īgain, McMurtry and his cohorts Dyson Lovell and Simon Wincer (who served as producer and director on “Dove,” respectively, and return here to work the same jobs) had to know going in that this was essentially a thankless task that lie before them. It’s as if McMurtry and Ossana were so concerned about comparisons to the classic from which it’s spun that they made sure it feels less like an homage than its own seriocomic creation. Samantha Hanratty on Her 'Yellowjackets' Character: 'I Just Want to Hug Her and Tell Her to Go to Therapy'įor “Comanche Moon,” his “Dove” prequel, McMurtry joined forces with “Brokeback Mountain” partner Diana Ossana (who together won Oscars for that screenplay) to adapt the novel into this six-hour horse opera that’s blessed with some powerful scenes but too much lightweight patter.